2
Young man lying on ground with a vest has drawn on his naked chest, NYC, 1965
This image is a follow-up to the previous one. Captured a few years later in Central Park, New York City, it depicts adults lying around, possibly under the influence. One individual drew hearts and flowers on the sky with magic markers, creating a striking image that would have fit into Andy Warhol's artistic sphere.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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Sequels #135
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Young man lying on ground with a vest has drawn on his naked chest, NYC, 1965
This image is a follow-up to the previous one. Captured a few years later in Central Park, New York City, it depicts adults lying around, possibly under the influence. One individual drew hearts and flowers on the sky with magic markers, creating a striking image that would have fit into Andy Warhol's artistic sphere.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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