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제작자 rhapsodycurated
제작자 rhapsodycurated
Pyongyang, 2017. Students pose next to a fake fighter jet in the playground of the Pyongyang Sci-Tech Complex.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.
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Pyongyang Sci-Tech Complex I
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제작자 rhapsodycurated
제작자 rhapsodycurated
Pyongyang, 2017. Students pose next to a fake fighter jet in the playground of the Pyongyang Sci-Tech Complex.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.
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