Strasbourg, Alsace / Feutre UniPin noir sur papier Canson croquis XL format A5 (recadré). Dessinateur Frédéric Bach
In the real life, i'm school science technician. Before I worked in various trades. Since the middle of the 90', I wrote a lot, and began painting watercolour. I published my first thriller, La Bascule, edited by Camion Noir, in 2016. When I prepared public readinds, I began drawing sketches for the posters. Now I continue writing, but I’m spending much more time sketching the life around me. I prefer drawing people. I prepared a serie of sketches with the people I met on the streetcar in Strasbourg, Alsace, France, realised in the way to work. Most of them need 2 or 3 minutes to be finished. This project became my first NFTs. Enjoy ! Dessiné sur le chemin du travail. Toujours sur le ligne B entre les arrêts Alt Winmarïk et Le Marais, Strasbourg, France. Cette collection spécifique commence en novembre 2020, pendant le confinement puis le couvre-feu liés à la pandémie Covid-19.
In the tram #001
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Strasbourg, Alsace / Feutre UniPin noir sur papier Canson croquis XL format A5 (recadré). Dessinateur Frédéric Bach
In the real life, i'm school science technician. Before I worked in various trades. Since the middle of the 90', I wrote a lot, and began painting watercolour. I published my first thriller, La Bascule, edited by Camion Noir, in 2016. When I prepared public readinds, I began drawing sketches for the posters. Now I continue writing, but I’m spending much more time sketching the life around me. I prefer drawing people. I prepared a serie of sketches with the people I met on the streetcar in Strasbourg, Alsace, France, realised in the way to work. Most of them need 2 or 3 minutes to be finished. This project became my first NFTs. Enjoy ! Dessiné sur le chemin du travail. Toujours sur le ligne B entre les arrêts Alt Winmarïk et Le Marais, Strasbourg, France. Cette collection spécifique commence en novembre 2020, pendant le confinement puis le couvre-feu liés à la pandémie Covid-19.