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์ œ์ž‘์ž masisus
์ œ์ž‘์ž masisus

Portraits of India #9

Photographer: Masis Usenmez

1/1 Photograph

Agra 2019

Portraits of India collection image

Photographer: Masis Usenmez Bio: EFIAP honored, Armenian origin Turkish photographer based in France. Collection: 1/1 total 20 photographs. Portraits of India is a collection of street portraits, which I took all in natural light during my eight-day visit to India. I traveled to Varanasi, New Delhi, and Agra cities during my visit. My main goal was to understand Indian culture.

Growing up as a Christian minority in a Muslim majority Turkey, I am a product of two cultures. Still, experiencing India added another layer to my multicultural perspective. The people were so open, so colorful, and always welcoming when I wanted to photograph them. I usually shoot street photos with people in them, but the people are never the main subject. Asking people to photograph them intimidates me but in India, I felt at ease asking people for their permission. In this series, the people of India are my subjects and I want to honor them through my photographs.

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Portraits of India #9

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Portraits of India #9

visibility
23 ์กฐํšŒ์ˆ˜
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    USD ๊ฐ€๊ฒฉ
    ์ˆ˜๋Ÿ‰
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์ œ์ž‘์ž masisus
์ œ์ž‘์ž masisus

Portraits of India #9

Photographer: Masis Usenmez

1/1 Photograph

Agra 2019

Portraits of India collection image

Photographer: Masis Usenmez Bio: EFIAP honored, Armenian origin Turkish photographer based in France. Collection: 1/1 total 20 photographs. Portraits of India is a collection of street portraits, which I took all in natural light during my eight-day visit to India. I traveled to Varanasi, New Delhi, and Agra cities during my visit. My main goal was to understand Indian culture.

Growing up as a Christian minority in a Muslim majority Turkey, I am a product of two cultures. Still, experiencing India added another layer to my multicultural perspective. The people were so open, so colorful, and always welcoming when I wanted to photograph them. I usually shoot street photos with people in them, but the people are never the main subject. Asking people to photograph them intimidates me but in India, I felt at ease asking people for their permission. In this series, the people of India are my subjects and I want to honor them through my photographs.

๊ณ„์•ฝ ์ฃผ์†Œ0x495f...7b5e
ํ† ํฐ ID
ํ† ํฐ ํ‘œ์ค€ERC-1155
์ฒด์ธEthereum
๋ฉ”ํƒ€๋ฐ์ดํ„ฐ์ค‘์•™ํ™”
์ œ์ž‘์ž ์ˆ˜์ต
10%
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