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제작자 NOZAL
제작자 NOZAL
The power of the casseroles is an NFT based on the painting by Nozal 1999, oil on canvas 100 x 100 cm, in which he portrays a well-known Spanish chef friend of his. The cook in the first world has become a shaman. Today the power of casseroles is listed on the stock market and great chefs write books on philosophy.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.
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The power of the casseroles
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제작자 NOZAL
제작자 NOZAL
The power of the casseroles is an NFT based on the painting by Nozal 1999, oil on canvas 100 x 100 cm, in which he portrays a well-known Spanish chef friend of his. The cook in the first world has become a shaman. Today the power of casseroles is listed on the stock market and great chefs write books on philosophy.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.
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