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in 2020-21 the challenge to create within geographic restrictions has made me work at home in an exponential way and as a result my art and practice have adapted and have organically grown towards unsuspected directions.Less interaction with physical objects due to spacial limitations have fortified and strengthened my mental projections and as a result I have mostly been consigning ideas and forms I called Takeovers on small size A3-A4 sketchbooks, recycled cardboard, newspapers and fashion + art magazines with acrylic markers and wallpaint exhibiting result as physical art and drpping as NFT on Opensea.
The challenge to create within restrictions has impacted my production exponentially, leading to the integration of innovative tech solutions within my creative palette while imposed spacial limitations fortified mental projections and the emergence of ethnosemiotic signs organically building on previous post tribal explorations visiting underlying patterns of archaic cultures. The consignment of these visual notes came together under the physical Takeover collection, layered on sketchbooks, cardboard, newspaper and curated magazines pages using acrylic markers and wallpaint. An evolving selection was subsequently augmented into NFT editions using 2D and 3D VR tools (Tilt Brush on the Oculus Headset ). The Takeover Collection will stay as my inaugural NFT collection and is still growing to this day.
Firouz FarmanFarmaian NFTs link the past with the present, the archaic with the innovative, nature with technology.
JOE BRADLEY TAKEOVER ZERO ONE ( GAGOSIAN CAT 2018 )
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JOE BRADLEY TAKEOVER ZERO ONE ( GAGOSIAN CAT 2018 )
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in 2020-21 the challenge to create within geographic restrictions has made me work at home in an exponential way and as a result my art and practice have adapted and have organically grown towards unsuspected directions.Less interaction with physical objects due to spacial limitations have fortified and strengthened my mental projections and as a result I have mostly been consigning ideas and forms I called Takeovers on small size A3-A4 sketchbooks, recycled cardboard, newspapers and fashion + art magazines with acrylic markers and wallpaint exhibiting result as physical art and drpping as NFT on Opensea.
The challenge to create within restrictions has impacted my production exponentially, leading to the integration of innovative tech solutions within my creative palette while imposed spacial limitations fortified mental projections and the emergence of ethnosemiotic signs organically building on previous post tribal explorations visiting underlying patterns of archaic cultures. The consignment of these visual notes came together under the physical Takeover collection, layered on sketchbooks, cardboard, newspaper and curated magazines pages using acrylic markers and wallpaint. An evolving selection was subsequently augmented into NFT editions using 2D and 3D VR tools (Tilt Brush on the Oculus Headset ). The Takeover Collection will stay as my inaugural NFT collection and is still growing to this day.
Firouz FarmanFarmaian NFTs link the past with the present, the archaic with the innovative, nature with technology.
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