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@Ghostshrimp
“Infinite DOOM” By Ghostshrimp
Ghostshrimp lives with his family deep inside their forest in the Northeast Kingdom of Vermont. He is best known for creating the world of Adventure Time on Cartoon Network, the NehruvianDOOM album artwork, and his signature series of RAW rolling trays! He also founded the Secret Society of Ghostscouts, a visual art cult with active members all over the globe!
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
011b - GhostShrimp - “Infinite DOOM” - 72hr Timed-Edition - #9
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011b - GhostShrimp - “Infinite DOOM” - 72hr Timed-Edition - #9
소유:
mhot
lock
ac_unit
5
visibility
209 조회수- 가격USD 가격수량만료From
- 가격USD 가격수량하한가와의 차이만료From
@Ghostshrimp
“Infinite DOOM” By Ghostshrimp
Ghostshrimp lives with his family deep inside their forest in the Northeast Kingdom of Vermont. He is best known for creating the world of Adventure Time on Cartoon Network, the NehruvianDOOM album artwork, and his signature series of RAW rolling trays! He also founded the Secret Society of Ghostscouts, a visual art cult with active members all over the globe!
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
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