3
제작자 CactoidLabs
제작자 CactoidLabs
2 answers is part of Remembrance of Things Future, a LACMA and Cactoid Labs initiative that engages artists working on the blockchain to reimagine the museum's collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. In the delicate dance of balanced counterpoints, each must rely on and incorporate the other. How cold is self-sovereignty without the warmth of collective care? How weak is collective care without the strength of self-sovereignty? Neither answer is correct without the other. Everything is both. -Sarah Zucker Signature VideoPainting by Sarah Zucker/ @thesarahshow. 2023. Created in studio with 1991 Sony Video Painter, digital animation and analog processing on VHS. Digitally transferred in 1080p. Edition of 100. Inspired by Ernst Ludwig Kirchner's Two Dancers, at LACMA.
The Los Angeles County Museum of Art (LACMA) and Cactoid Labs present Remembrance of Things Future, an initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists Monica Rizzolli, Ix Shells, Jen Stark, Emily Xie and Sarah Zucker to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. Utilizing tools such as generative code, dynamic software and video synthesizers, the artists created unique works that engage histories across various eras. The digital editions will be released on the blockchain in phases beginning March 2023. Following the museum's long tradition of collaborating with artists to create limited editions, a percentage of the proceeds from these new digital editions will support LACMA's Art + Technology Lab.
2 answers by Sarah Zucker #92/100
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2 answers by Sarah Zucker #92/100
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제작자 CactoidLabs
제작자 CactoidLabs
2 answers is part of Remembrance of Things Future, a LACMA and Cactoid Labs initiative that engages artists working on the blockchain to reimagine the museum's collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. In the delicate dance of balanced counterpoints, each must rely on and incorporate the other. How cold is self-sovereignty without the warmth of collective care? How weak is collective care without the strength of self-sovereignty? Neither answer is correct without the other. Everything is both. -Sarah Zucker Signature VideoPainting by Sarah Zucker/ @thesarahshow. 2023. Created in studio with 1991 Sony Video Painter, digital animation and analog processing on VHS. Digitally transferred in 1080p. Edition of 100. Inspired by Ernst Ludwig Kirchner's Two Dancers, at LACMA.
The Los Angeles County Museum of Art (LACMA) and Cactoid Labs present Remembrance of Things Future, an initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists Monica Rizzolli, Ix Shells, Jen Stark, Emily Xie and Sarah Zucker to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. Utilizing tools such as generative code, dynamic software and video synthesizers, the artists created unique works that engage histories across various eras. The digital editions will be released on the blockchain in phases beginning March 2023. Following the museum's long tradition of collaborating with artists to create limited editions, a percentage of the proceeds from these new digital editions will support LACMA's Art + Technology Lab.
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