Harman's latest digital painting, 'Toymaker,' from his ongoing project 'The 10th E State,' is a jarring journey into the uneasy relationship between humanity and artificial intelligence. Set against a backdrop featuring the broken architecture of high-rise flats, with drone-like planes ominously flying in the distance, Harman masterfully employs his unique digital painting techniques to depict a wiry, sinister-looking toymaker in this desolate landscape. The inclusion of decaying urban structures and automated drones adds a layer of societal decay and surveillance, amplifying the painting's disturbing undertones.

The toymaker is seen testing his newest creation: a massive, AI-driven robotic bear. The uncanny growls and shrieks that the bear emanates at the command of its creator serve not just as a disturbing visual experience but as a metaphorical cautionary tale. Incorporating elements reminiscent of Uncle Geppetto from 'Pinocchio,' Harman's painting becomes even more unsettling. The classic figure of Geppetto, a benign craftsman creating a wooden boy out of love and loneliness, is subverted in Harman's rendition. Here, the toymaker’s motives are far more ambiguous. This modernized, twisted vision of the beloved character acts as a dark mirror reflecting our contemporary concerns about technology. Where Geppetto’s creations come from a place of innocence, the figure in 'Toymaker' invokes a darker side of creativity—a Geppetto for the age of artificial intelligence.

The painting forces us to confront pressing ethical and technological questions about our future. Namely, as advancements in technology proliferate, how cautious should we be of the toys—or monsters—that we might be unwittingly creating? 'Toymaker' stands as a compelling critique of unbridled technological advancements, highlighting the potential for dangerous outcomes when we combine childlike whimsy with the unregulated power of AI. Just as 'Pinocchio' explored the perils and responsibilities of creating life, 'Toymaker' uses a similar narrative archetype to challenge our rapidly evolving digital era. It's a work that mesmerizes, horrifies, and most importantly, makes you think deeply about the world we are shaping."