Group of kids lying on ground, NYC, 1964
Taken in New York City in 1964, this image features a group of kids on a school trip, collapsed on the sidewalk while waiting. The particular way a child was being held emanated an air of mystery, sensuality, and religiosity. I appreciate photographs where meaning remains ambiguous yet captivating.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
Sequels #134
- PrecioPrecio en USDCantidadVencimientoDe
- PrecioPrecio en USDCantidadDiferencia de sueloVencimientoDe
Sequels #134
- PrecioPrecio en USDCantidadVencimientoDe
- PrecioPrecio en USDCantidadDiferencia de sueloVencimientoDe
Group of kids lying on ground, NYC, 1964
Taken in New York City in 1964, this image features a group of kids on a school trip, collapsed on the sidewalk while waiting. The particular way a child was being held emanated an air of mystery, sensuality, and religiosity. I appreciate photographs where meaning remains ambiguous yet captivating.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"