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“Roman Pastucha’s work is overtly tragicomic, even as they show the ironic survival of classic iconography in post modern times, as in ‘Lady Liberty Abducted by the Centaur Mobil’ 2003, a witty use of classical theme to make a sociopolitical point about the power of big oil. presented on the sublime stage of traditional art, Pastucha’s black humor becomes all the more critical: the grandeur of art has been appropriated by big business.”
Donald Kuspit From his book “California New Old Masters” Art Critic, New York Times
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visibility
3 visualizaciones- PrecioPrecio en USDCantidadVencimientoDe
- PrecioPrecio en USDCantidadDiferencia de sueloVencimientoDe
“Roman Pastucha’s work is overtly tragicomic, even as they show the ironic survival of classic iconography in post modern times, as in ‘Lady Liberty Abducted by the Centaur Mobil’ 2003, a witty use of classical theme to make a sociopolitical point about the power of big oil. presented on the sublime stage of traditional art, Pastucha’s black humor becomes all the more critical: the grandeur of art has been appropriated by big business.”
Donald Kuspit From his book “California New Old Masters” Art Critic, New York Times
Dirección del contrato0x495f...7b5e
ID del token
Estándar de tokenERC-1155
CadenaEthereum
MetadatosCentralizado
Ganancias del creador
keyboard_arrow_down
Evento
Precio
De
Para
Fecha
