Roses, carnations and air war.
When you approach the images you find access through the artificially created esthetics and startle back .. the dying is noticeable in every pixel. And one suspects that today's pictures will also be templates for future collages. some things do not change ...
50% of proceeds go to war victims via Unicef.
Main description: This series launched in 2018 is stylistically similar to the seascapes series. The series handles the topic of war which is currently being discussed all over the world. The human being already disappeared in the steam of war. What lasts are the moments before, during and after the last breath. Dying is not directly visible in all images/collages but you can feel the horror of it. When you approach the images, you can find access through the artificially created aesthetics and startle back. The horrifying reality is noticeable in every pixel. And one suspects that today ́s pictures will also be templates for future collages. Some things do not change ...
Parts of the series won the Lensculture Art Photography Awards 2018. Exhibited in New York, Germany and France.
50% will be donated cfor a charity organization (Unicef) which support war victims.
Europe_France
- PrecioPrecio en USDCantidadVencimientoDe
- PrecioPrecio en USDCantidadDiferencia de sueloVencimientoDe
Europe_France
- PrecioPrecio en USDCantidadVencimientoDe
- PrecioPrecio en USDCantidadDiferencia de sueloVencimientoDe
Roses, carnations and air war.
When you approach the images you find access through the artificially created esthetics and startle back .. the dying is noticeable in every pixel. And one suspects that today's pictures will also be templates for future collages. some things do not change ...
50% of proceeds go to war victims via Unicef.
Main description: This series launched in 2018 is stylistically similar to the seascapes series. The series handles the topic of war which is currently being discussed all over the world. The human being already disappeared in the steam of war. What lasts are the moments before, during and after the last breath. Dying is not directly visible in all images/collages but you can feel the horror of it. When you approach the images, you can find access through the artificially created aesthetics and startle back. The horrifying reality is noticeable in every pixel. And one suspects that today ́s pictures will also be templates for future collages. Some things do not change ...
Parts of the series won the Lensculture Art Photography Awards 2018. Exhibited in New York, Germany and France.
50% will be donated cfor a charity organization (Unicef) which support war victims.