Chi no Uta, or “Song of Blood,” by Yuki explores the ways battle itself can become a kind of music. In many ways, this 120-piece collection represents a return to her roots, where traditional ink wash and mixed media on wood meet simple digital adaptation. Across multiple color codes and trait variatio, warriors dressed in crimson, cobalt, and gold pose ready to strike. Though each fighter stands alone, together they form a chorus of resistance and resolve, a blood-song echoing through history and imagination alike. Submitted to Orangehare.io and adapted for use as digital collectibles.

Chi no Uta, or “Song of Blood,” by Yuki explores the ways battle itself can become a kind of music. In many ways, this 120-piece collection represents a return to her roots, where traditional ink wash and mixed media on wood meet simple digital adaptation. Across multiple color codes and trait variatio, warriors dressed in crimson, cobalt, and gold pose ready to strike. Though each fighter stands alone, together they form a chorus of resistance and resolve, a blood-song echoing through history and imagination alike. Submitted to Orangehare.io and adapted for use as digital collectibles.

Chi no Uta, or “Song of Blood,” by Yuki explores the ways battle itself can become a kind of music. In many ways, this 120-piece collection represents a return to her roots, where traditional ink wash and mixed media on wood meet simple digital adaptation. Across multiple color codes and trait variatio, warriors dressed in crimson, cobalt, and gold pose ready to strike. Though each fighter stands alone, together they form a chorus of resistance and resolve, a blood-song echoing through history and imagination alike. Submitted to Orangehare.io and adapted for use as digital collectibles.