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It reflects this entire process and stems from both intuition and chance. The sequence of images generated by AI in the programs gave me the idea of immortalizing that moment. I was fascinated by those blurred loading images, something undefined but that already had its own definition. I collected all these images by taking screenshots and assigned them value with their low resolution (41%). But my intervention could not end there, because it was not 100% of the work. It was the concept of the project, and from there I began to mix them together to reach 90% resolution, that is, a process of working with AI and collaging the images. This also helped to find a harmony within the whole. My projects always have a logical thread that connects them to the previous works and looks toward the future of my practice. In the works, several key elements are repeated: faces, shapes, and flowers. They are digital tapestries, mosaics of pixels.
It is born from an unplanned event, from chance that becomes a source of inspiration when seen from different angles. In creating a 1/1 project, working with AI—specifically Midjourney—I created a prompt that blended several of my distinctive elements, which were then fully reworked by hand in Photoshop. In this collection of 300 unique works, the process is completely reversed and it all starts here: While generating the images, I didn’t pay attention to the loading phase. Over time, however, my eyes became increasingly fascinated by the images taking shape. I decided to start taking screenshots, like a camera capturing the exact moment when the works were beginning to emerge—but not fully. I immortalized it all.
It is born from an unplanned event, from chance that becomes a source of inspiration when seen from different angles. In creating a 1/1 project, working with AI—specifically Midjourney—I created a prompt that blended several of my distinctive elements, which were then fully reworked by hand in Photoshop. In this collection of 300 unique works, the process is completely reversed and it all starts here: While generating the images, I didn’t pay attention to the loading phase. Over time, however, my eyes became increasingly fascinated by the images taking shape. I decided to start taking screenshots, like a camera capturing the exact moment when the works were beginning to emerge—but not fully. I immortalized it all.
A suspended instant, stolen from the flow of time. An image not yet defined, yet already pulsing with life. A fragile, ephemeral moment… To capture that instant is to make it eternal: Preserving the tension between what is and what is about to become. The undefined image is not just incomplete: it is the tangible memory of a unique moment.
4000x4000 Pixels
A suspended instant, stolen from the flow of time. An image not yet defined, yet already pulsing with life. A fragile, ephemeral moment… To capture that instant is to make it eternal: Preserving the tension between what is and what is about to become. The undefined image is not just incomplete: it is the tangible memory of a unique moment.
4000x4000 Pixels
De/Generative Artist 1999🎨 >> 2021👾👾 FND/SR/NG @artsy https://linktr.ee/brutaleth
Art Director: Hybrid&Icon,Italy
SOLO EXHIBITION 2012: Galleria Bianca, Palermo, Italy 2011: Remains, Artopia Gallery, Milan, Italy 2011: The party’s over, Museum Palazzo Riso, Palermo, Italy 2010: “Studiolo”, Cabinet, Milan, Italy 2010: Chan@Fabriek featuring Marco Bonafè , Genova, Italy 2009: Perché chiedere la luna quando possiamo avere le stelle, Quadreria del lotto, Trapani, Italy 2009: Il Caos Il Lavoro, Biennale di Venezia, Venice, Italy 2008: Re Image, Gelabert gallery, New York, U.S.A 2008: Disney War, Centre Civic Cotxeres Borrell , Barcelona, Spain 2007: “After Warhol”, Spazio B Quadro, Palermo, Italy RESIDENCE ( Winner ) 2010: Memerories and Encounters VIR Viafarini - in residence May–June, Milan, Italy ART FAIRS 2012: Solo show, Miart, Artopia Gallery, Milan, Italy 2012: Group show, Artefera Bologna, Galleria Bianca, Italy
