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About Ana María Caballero

Ana María Caballero is a multiple award-winning, transdisciplinary artist. Her work explores the tension between physicality and selfhood, between biological processes and their cultural implications, and between ecology and the storylines we construct to explain (and thus attempt to contain) them.

The speakers in her poems find their voice by navigating the intellectual and the everyday, daring to name what’s left unsaid in that all-important space of home.

Her poems are moments of private rebellion, made public.

Photo by Andrés Rodríguez

About the poem...

OpenSea (in partnership with Art Basel) commissioned Ana María Caballero to create In Record Time to commemorate the launch of Zero 10, the fair’s new digital sector. At the core of the collection is Training Data, a poem in which Caballero situates a historic moment within her own story.

Caballero invited various artists to hand-annotate Training Data, engaging in an act of analog generativity—the notion that readers and writers construct each other in an endlessly procreative exchange. The coexistence of analog marginalia and digital presentation reflects how memory is presently archived, through experience and code.

Listen to Ana read the poem live: https://vimeo.com/1142568783

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

In Record Time by Ana Maria Caballero

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Total volume1.49 ETH
Listed2.4%
Owners (Unique)733 (55.7%)

In Record Time by Ana Maria Caballero
In Record Time by Ana Maria Caballero

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In Record Time by Ana Maria Caballero

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Total volume1.49 ETH
Listed2.4%
Owners (Unique)733 (55.7%)

In Record Time by Ana Maria Caballero
In Record Time by Ana Maria Caballero

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About Ana María Caballero

Ana María Caballero is a multiple award-winning, transdisciplinary artist. Her work explores the tension between physicality and selfhood, between biological processes and their cultural implications, and between ecology and the storylines we construct to explain (and thus attempt to contain) them.

The speakers in her poems find their voice by navigating the intellectual and the everyday, daring to name what’s left unsaid in that all-important space of home.

Her poems are moments of private rebellion, made public.

Photo by Andrés Rodríguez

About the poem...

OpenSea (in partnership with Art Basel) commissioned Ana María Caballero to create In Record Time to commemorate the launch of Zero 10, the fair’s new digital sector. At the core of the collection is Training Data, a poem in which Caballero situates a historic moment within her own story.

Caballero invited various artists to hand-annotate Training Data, engaging in an act of analog generativity—the notion that readers and writers construct each other in an endlessly procreative exchange. The coexistence of analog marginalia and digital presentation reflects how memory is presently archived, through experience and code.

Listen to Ana read the poem live: https://vimeo.com/1142568783

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

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About Ana María Caballero

Ana María Caballero is a multiple award-winning, transdisciplinary artist. Her work explores the tension between physicality and selfhood, between biological processes and their cultural implications, and between ecology and the storylines we construct to explain (and thus attempt to contain) them.

The speakers in her poems find their voice by navigating the intellectual and the everyday, daring to name what’s left unsaid in that all-important space of home.

Her poems are moments of private rebellion, made public.

Photo by Andrés Rodríguez

About the poem...

OpenSea (in partnership with Art Basel) commissioned Ana María Caballero to create In Record Time to commemorate the launch of Zero 10, the fair’s new digital sector. At the core of the collection is Training Data, a poem in which Caballero situates a historic moment within her own story.

Caballero invited various artists to hand-annotate Training Data, engaging in an act of analog generativity—the notion that readers and writers construct each other in an endlessly procreative exchange. The coexistence of analog marginalia and digital presentation reflects how memory is presently archived, through experience and code.

Listen to Ana read the poem live: https://vimeo.com/1142568783

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

Recognitions

She’s the recipient of an Academy of American Poets Prize, the Beverly International Literature Prize, Colombia’s José Manuel Arango National Poetry Prize, the Steel Toe Books Poetry Prize, the Clay Reynolds Novella Prize, a Future Art Writers Award, a Sevens Foundation Grant, among other recognitions.

Ana is the first living poet to sell a poem in the history of Sotheby’s and the first artist ever to receive a triple finalist nomination for the Lumen Prize. Her work is in the collection of some of the world’s top institutions, such as the Reina Sofía, the MACBA, the Ashmolean, HEK Basel, the Francisco Carolinum, Spalter Digital, the Stahlberg Collection, and has been presented at leading venues including Art Basel, the Venice Biennale Vernissage, the V&A, Museo de Arte Miguel Urrutia, Fundación March and ICA Miami.

Mint In Record Time by Ana Maria Caballero
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—
1
AlternativeMA
AlternativeMA
—
1
0xa5d5ca3a71bb120ea6590aaf050a8d98db5b5e5e
a5d5ca
—
1
0x1ffbd6ba439561ef4525cc58ac6d7585859426dc
1ffbd6
—
1
0x500e1184c04ba01d6d510fdd2a1902921970b0f9
500e11
—
1
Pantagruel
Pantagruel
—
1
AlphonVault
AlphonVault
—
1
TrippenOverCrypto
TrippenOverCrypto
—
1
DoddFranko_Vault
DoddFranko_Vault
—
1
crypto_boneyard
crypto_boneyard
—
1
Perilous_Vault
Perilous_Vault
—
1
DoddFranko
DoddFranko
—
1
h0bby
h0bby
—
1
Mister-ducon
Mister-ducon
—
1
Boomer69NFT
Boomer69NFT
—
1
Mudtooth
Mudtooth
—
1
zurilite
zurilite
—
1
CantonaMagic
CantonaMagic
—
1
0xdd6a71d9a40115b7dfa6d02d1f34a845fdb54b56
dd6a71
—
1
0x02c40bbadba35275b3e9e9ea83c9b49fd44c4aaf
02c40b
—
1
Pete_030
Pete_030
—
1
0xFBM
0xFBM
—
1
doodler
doodler
—
1