Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

This NFT combines digital ownership with a physical handcrafted artwork, which is elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm). It is built on the ERC721 standard contract and is the only piece in the entire collection, making it one-of-a-kind.

Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

Zhang used a traditional tool called a 'wax knife' to apply hot, melted beeswax onto hand-woven Hmong fabric. The wax hardens quickly, acting as a resist to the dye and preventing color from penetrating the wax-covered areas.

In November, between the first frost and the onset of winter, Hmong women venture into the mountains to gather indigo plants. The collected leaves are soaked and fermented in water, releasing their natural pigments and eventually yielding a rich indigo paste.

A time-honored ‘wax knife’ typically consists of a small copper blade attached to a wooden handle, resembling a miniature spatula, allowing the artisan to draw intricate patterns on the cloth.

Our batik piece is now complete and will be elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm).

Alongside its physical form, we have droped an exclusive NFT on OpenSea, bridging the gap between real-world artwork and digital ownership. This NFT is more than just a digital asset—it comes with the physical artwork itself, offering collectors a seamless fusion of tradition and technology.

Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

This NFT combines digital ownership with a physical handcrafted artwork, which is elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm). It is built on the ERC721 standard contract and is the only piece in the entire collection, making it one-of-a-kind.

Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

Zhang used a traditional tool called a 'wax knife' to apply hot, melted beeswax onto hand-woven Hmong fabric. The wax hardens quickly, acting as a resist to the dye and preventing color from penetrating the wax-covered areas.

In November, between the first frost and the onset of winter, Hmong women venture into the mountains to gather indigo plants. The collected leaves are soaked and fermented in water, releasing their natural pigments and eventually yielding a rich indigo paste.

A time-honored ‘wax knife’ typically consists of a small copper blade attached to a wooden handle, resembling a miniature spatula, allowing the artisan to draw intricate patterns on the cloth.

Our batik piece is now complete and will be elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm).

Alongside its physical form, we have droped an exclusive NFT on OpenSea, bridging the gap between real-world artwork and digital ownership. This NFT is more than just a digital asset—it comes with the physical artwork itself, offering collectors a seamless fusion of tradition and technology.

Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

This NFT combines digital ownership with a physical handcrafted artwork, which is elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm). It is built on the ERC721 standard contract and is the only piece in the entire collection, making it one-of-a-kind.

Zhang, a master artisan and an inheritor of intangible cultural heritage in China, has crafted our debut piece—'Blockchain is Everything'—using the ancient techniques of Hmong batik.

Zhang used a traditional tool called a 'wax knife' to apply hot, melted beeswax onto hand-woven Hmong fabric. The wax hardens quickly, acting as a resist to the dye and preventing color from penetrating the wax-covered areas.

In November, between the first frost and the onset of winter, Hmong women venture into the mountains to gather indigo plants. The collected leaves are soaked and fermented in water, releasing their natural pigments and eventually yielding a rich indigo paste.

A time-honored ‘wax knife’ typically consists of a small copper blade attached to a wooden handle, resembling a miniature spatula, allowing the artisan to draw intricate patterns on the cloth.

Our batik piece is now complete and will be elegantly mounted in a teakwood frame, measuring about 24 × 16 inches (60 × 40 cm).

Alongside its physical form, we have droped an exclusive NFT on OpenSea, bridging the gap between real-world artwork and digital ownership. This NFT is more than just a digital asset—it comes with the physical artwork itself, offering collectors a seamless fusion of tradition and technology.