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Theodore, Californian from Russian origin. He was washing windshields on the Von’s parking lot at Melrose and Wilcox. He believes that photography steels the soul of the subject being photographed, but since the Police took repeatedly his picture for free, he could probably do it one more time for money. He was more knowledgeable than many professional models about photography and asked me pertinent questions about depth-of-field and time of exposure. He used to be in a punk-rock group in the late seventies, at a time he still had a girlfriend.

A tribute to Richard Avedon’s In The American West. In the summer of 1989, I started a series of portraits of people living in Hollywood. I set up the shoot in the shade, at my house. Then I wandered on Vine Street or Hollywood Blvd., looking for interesting faces. I asked people to come to my house for the sitting. Many refused, some agreed. The photographs shown here are the first ones in the series. They are mostly portraits of drifters and homeless people. I intended to incorporate a few photographs of celebrities, but I got busy on other topics and did not complete the series. There was a reason to mix bums with actors, winos with celebrities. During a sitting, the very limitations of photography and the discipline imposed by the view camera both tend to deprive the subject of his social varnish. The photographic process reveals connections between portraits that go far beyond money and fame, showing unexpected similarities between people at each end of the social ladder.

Contract Address0x495f...7b5e
Token ID
Token StandardERC-1155
BlockchainEthereum
MetadataCentralized
Creator Earnings
info
10%

In Hollywood - Theodore 1

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In Hollywood - Theodore 1

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Theodore, Californian from Russian origin. He was washing windshields on the Von’s parking lot at Melrose and Wilcox. He believes that photography steels the soul of the subject being photographed, but since the Police took repeatedly his picture for free, he could probably do it one more time for money. He was more knowledgeable than many professional models about photography and asked me pertinent questions about depth-of-field and time of exposure. He used to be in a punk-rock group in the late seventies, at a time he still had a girlfriend.

A tribute to Richard Avedon’s In The American West. In the summer of 1989, I started a series of portraits of people living in Hollywood. I set up the shoot in the shade, at my house. Then I wandered on Vine Street or Hollywood Blvd., looking for interesting faces. I asked people to come to my house for the sitting. Many refused, some agreed. The photographs shown here are the first ones in the series. They are mostly portraits of drifters and homeless people. I intended to incorporate a few photographs of celebrities, but I got busy on other topics and did not complete the series. There was a reason to mix bums with actors, winos with celebrities. During a sitting, the very limitations of photography and the discipline imposed by the view camera both tend to deprive the subject of his social varnish. The photographic process reveals connections between portraits that go far beyond money and fame, showing unexpected similarities between people at each end of the social ladder.

Contract Address0x495f...7b5e
Token ID
Token StandardERC-1155
BlockchainEthereum
MetadataCentralized
Creator Earnings
info
10%
Event
Unit Price
Quantity
From
To
Date