“The Harlot of Babylon” Consumption is our new dogma.
Visual artist born in Chile. He has a degree in Design and works as an Art Director in the area of marketing and advertising. Along with this activity, it maintains a solid production of works of art that criticize the consumer society and the creation of social beliefs. Disposable artificial products that envelop and define the behavior of man, very worked images that we see in different media but that have a programmed expiration. By passing these images to a pictorial work they lose their expiration and become timeless reflections of consumption.
Sebastian Riffo Montenegro works on criticism and satire. His work makes a vivid and authentic account of the times in which we live, through the use of easily recognizable and commercial products to deliver a message, a theory camouflaged with hints of humor about the consumer society and the creation of social beliefs that , eventually deform our ability and right to free will.
LA RAMERA DI BABILONIA / THE HARLOT OF BABYLON by Sebastian Riffo Montenegro
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
LA RAMERA DI BABILONIA / THE HARLOT OF BABYLON by Sebastian Riffo Montenegro
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
“The Harlot of Babylon” Consumption is our new dogma.
Visual artist born in Chile. He has a degree in Design and works as an Art Director in the area of marketing and advertising. Along with this activity, it maintains a solid production of works of art that criticize the consumer society and the creation of social beliefs. Disposable artificial products that envelop and define the behavior of man, very worked images that we see in different media but that have a programmed expiration. By passing these images to a pictorial work they lose their expiration and become timeless reflections of consumption.
Sebastian Riffo Montenegro works on criticism and satire. His work makes a vivid and authentic account of the times in which we live, through the use of easily recognizable and commercial products to deliver a message, a theory camouflaged with hints of humor about the consumer society and the creation of social beliefs that , eventually deform our ability and right to free will.