Vacuum packed (Envasada al vacío) is an NFT based on the painting by Nozal 1999, oil on canvas 100 x 100 cm. The woman, subjected to macho power, will be turned into an object of consumption and will end up adapting to the legal regulations on health, transport, packaging and labeling. The degree of excellence can be acquired when it is vacuum packed, following the same sausage process.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.
Vacuum packed (Envasada al vacío)
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Vacuum packed (Envasada al vacío)
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
Vacuum packed (Envasada al vacío) is an NFT based on the painting by Nozal 1999, oil on canvas 100 x 100 cm. The woman, subjected to macho power, will be turned into an object of consumption and will end up adapting to the legal regulations on health, transport, packaging and labeling. The degree of excellence can be acquired when it is vacuum packed, following the same sausage process.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.