The general methods of making colors – physical, chemical, psychological, physiological, and aesthetic approaches cannot be thought of being practiced individually. I make color palettes with an intuitive sense, after mixing colors through a subjective approach as a comprehensive way of applying an adjective meaning to them. Chosen colors are applied in monochrome alongside the characters of an adjective that seem to be embossed on the canvas. Laser-cut characters whose thickness is hardly sensed are added onto a canvas completely applied with paint, and then paints are used to cover them repetitively. Detached after being completely dried, the characters appear with thin shadows, distinguished from them. As if whispering, adjectives replace the place from which images are removed. This video work is produced in collaboration with Yi-Tim.
Starting from the question, “Can I make a foray into documenting and describing a variety of lifestyles in color?,” I create my own colors that stand for fragmentary images. These colors are not couched in any words, associations, memories, or sentiments that are not manifested. These are elemental materials I have involved to execute my abstract work.
Colors come when I feel nature. While watching the news, I get caught up with mixed feelings. I sometimes feel relieved and sometimes get upset. If I think back after calming myself down, some uncaught word comes up. I repeatedly hark back to those colors and feelings while mixing colors. The Color as Adjective series created in this way is a chronicle of sensations and emotions I have felt as an individual.
Color as adjective_ 따뜻한 (warm)
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Color as adjective_ 따뜻한 (warm)
- PriceUSD PriceQuantityExpirationFrom
- PriceUSD PriceQuantityFloor DifferenceExpirationFrom
The general methods of making colors – physical, chemical, psychological, physiological, and aesthetic approaches cannot be thought of being practiced individually. I make color palettes with an intuitive sense, after mixing colors through a subjective approach as a comprehensive way of applying an adjective meaning to them. Chosen colors are applied in monochrome alongside the characters of an adjective that seem to be embossed on the canvas. Laser-cut characters whose thickness is hardly sensed are added onto a canvas completely applied with paint, and then paints are used to cover them repetitively. Detached after being completely dried, the characters appear with thin shadows, distinguished from them. As if whispering, adjectives replace the place from which images are removed. This video work is produced in collaboration with Yi-Tim.
Starting from the question, “Can I make a foray into documenting and describing a variety of lifestyles in color?,” I create my own colors that stand for fragmentary images. These colors are not couched in any words, associations, memories, or sentiments that are not manifested. These are elemental materials I have involved to execute my abstract work.
Colors come when I feel nature. While watching the news, I get caught up with mixed feelings. I sometimes feel relieved and sometimes get upset. If I think back after calming myself down, some uncaught word comes up. I repeatedly hark back to those colors and feelings while mixing colors. The Color as Adjective series created in this way is a chronicle of sensations and emotions I have felt as an individual.