@entes93
It is typical of the Peruvian viceroyalty, a symbol of resistance, sensuality, and mischief of Peruvian women. With this work, the artist pays tribute to modern Peruvian women with tattoos and piercings, demonstrating their gallantry, sensuality, and resistance to femicides. Peruvian women have fought since ancient times to find equality in this society that tries to make all its struggle invisible.
Bio: Joan Jiménez Suero (37) lives and works in Lima, Peru. With a long history in the street art scene, his work has passed through countries such as Germany, France, Portugal, Spain, the United Arab Emirates, Cuba, the Dominican Republic and the entire American continent.
In his artistic practice, the roots of minority aesthetics, of the other, have been evident. Consequently, there is a presence of the symbols and signs in relation to elements that coexist within a complex city such as Lima; Violence, inequality and above all social injustice. They demand a relationship of belonging from the Latin American viewer, to the city they inhabit, within a current context. The pedagogical axis that the artist proposes transfers his interpretation into a dialogue that the city establishes with art, according to its own means of representation, such as posters, tags, scratches, phrases, etc.
044c - Entes - "Tapada" - Edition of 30
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044c - Entes - "Tapada" - Edition of 30
- Unit PriceUSD Unit PriceQuantityExpirationFrom
- Unit PriceUSD Unit PriceQuantityFloor DifferenceExpirationFrom
@entes93
It is typical of the Peruvian viceroyalty, a symbol of resistance, sensuality, and mischief of Peruvian women. With this work, the artist pays tribute to modern Peruvian women with tattoos and piercings, demonstrating their gallantry, sensuality, and resistance to femicides. Peruvian women have fought since ancient times to find equality in this society that tries to make all its struggle invisible.
Bio: Joan Jiménez Suero (37) lives and works in Lima, Peru. With a long history in the street art scene, his work has passed through countries such as Germany, France, Portugal, Spain, the United Arab Emirates, Cuba, the Dominican Republic and the entire American continent.
In his artistic practice, the roots of minority aesthetics, of the other, have been evident. Consequently, there is a presence of the symbols and signs in relation to elements that coexist within a complex city such as Lima; Violence, inequality and above all social injustice. They demand a relationship of belonging from the Latin American viewer, to the city they inhabit, within a current context. The pedagogical axis that the artist proposes transfers his interpretation into a dialogue that the city establishes with art, according to its own means of representation, such as posters, tags, scratches, phrases, etc.
- Sales
- Transfers