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By mledlmn
By mledlmn
In 2016, a potential client asked to see a portfolio of past logos I’d designed. I drew the 2 as a vector object, digitizing it for the first time to illustrate some breadth of aesthetic ability in the portfolio. This was the first time the 2 became digitally flexible - not a physical object but an editable experiment that could be tweaked, repeated, and colored with little effort.
In 2012 while I studied graphic design and typography, I decided the number “2” was the most beautifully formed character - the drama of the swoop into a point that trails off.. the grace and weight of it. I became obsessive about finding the ideal 2, or the exact linework that would accentuate the inherent beauty in the numeral. Over the years, I’ve returned to my 2 as a go-to mark for creative endeavors - carving it in wood, graffitiing it on lamp posts, sculpting it out of sand.
Most recently, I used my 2 as the base module of a generative series, Twos (Art Blocks October 30th). The collection revisits my captivation with this character object, using the algorithm as a tool for continued exploration. I want people to experience the outputs and never see a “2” in the same way again. I also want to remind viewers that exquisiteness can exist in any mundane thing.
Twos: Artifacts displays mediums I’ve used to represent the 2 over a span of 10 years, from 2012 to 2022.
Contract Address0x46da...5034
Token ID3
Token StandardERC-1155
ChainEthereum
Last Updated8 months ago
Creator Earnings
Two: Vector (2016)
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Two: Vector (2016)
1
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13 itemsvisibility
49 views- Unit PriceUSD Unit PriceQuantityExpirationFrom
- Unit PriceUSD Unit PriceQuantityFloor DifferenceExpirationFrom
By mledlmn
By mledlmn
In 2016, a potential client asked to see a portfolio of past logos I’d designed. I drew the 2 as a vector object, digitizing it for the first time to illustrate some breadth of aesthetic ability in the portfolio. This was the first time the 2 became digitally flexible - not a physical object but an editable experiment that could be tweaked, repeated, and colored with little effort.
In 2012 while I studied graphic design and typography, I decided the number “2” was the most beautifully formed character - the drama of the swoop into a point that trails off.. the grace and weight of it. I became obsessive about finding the ideal 2, or the exact linework that would accentuate the inherent beauty in the numeral. Over the years, I’ve returned to my 2 as a go-to mark for creative endeavors - carving it in wood, graffitiing it on lamp posts, sculpting it out of sand.
Most recently, I used my 2 as the base module of a generative series, Twos (Art Blocks October 30th). The collection revisits my captivation with this character object, using the algorithm as a tool for continued exploration. I want people to experience the outputs and never see a “2” in the same way again. I also want to remind viewers that exquisiteness can exist in any mundane thing.
Twos: Artifacts displays mediums I’ve used to represent the 2 over a span of 10 years, from 2012 to 2022.
Contract Address0x46da...5034
Token ID3
Token StandardERC-1155
ChainEthereum
Last Updated8 months ago
Creator Earnings
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