A classic example of digitally deflating Jeff Koons’ “inflatable”sculptures as a visual response to Economic inflation is Jay Delay’s "Deflating Koons’ Decorative Bubble”. How does the art market interpret an artist's work of using artificial intelligence to create the concept of digitally deflating Jeff Koons’ sculptures ?" As a means to visualize money debasement, it suggests that subliminal finances are manipulable. Some have called the discovery a "perfect storm," and Tim Carter’s  "Inflationary Art" in Los Angeles displayed historical analogues of economic treasuries that had also been deflating through tools of information dissemination. When "Information Age" digital instruments such as Adbusters’s free Internet videos .

Part of the subliminal manipulation involved the connection between the universe we live in, reality and our actual currency. However, being motivated to make money must take precedence over everything, because reality is the only thing that really gives meaning to our lives.

These are just some of the moments when a decal became a literal coin for the taking. Each one featured simple geometric designs with symbolic values, and a variety of colors and patterns. Each had a face value of its own: Pounds and shillings, rubles and drachmas. Different groups of kids chose different decals based on personal reasons, including perhaps their fathers' religion, or their plans to earn some extra money on the side. Others just didn't feel like hanging their wallets on a piece of metal, despite its token value.

In terms of artistic value Koons’ inflatable sculptures are in reality stainless steel replicas of Mylar balloons, making the task on deflating each one digitally by hand even more daunting. like hanging their wallets on a piece of metal, despite its token value.

The act of digitally deflating Jeff Koons’ “inflatable sculptures “ has led cryptoartist Jay Delay’s crusade to bring responsible monument-building in support of art and conservation to the American people. In 2011, Jay managed to turn Big Aristotle's shit into a simple sitting sculpture, which thusly blew a giant hole in the former '80s Kids statue. Jay began to attack the subject of Monument, both the gift of the contemporary museum to our nations of mankind, and what it can and should stand for: changing our behaviors toward heritage and putting aside the passions of a vulgar past to leave us a better nation and an even better world.

I hope it is clear by now that due to the nature of the project the inflated sculptures will be digitally removed, and then scanned and deflated digitally in an effort to make the resulting images consistent with the original artworks.

I'm also selling "Takeover" and "Pearl" pieces individually on eBay. MODEL GPT-2 (1558M)