"No-one knew what was behind the smile"
I reached the point when I didn't think I wanted to go on. I felt like I just couldn't live with the amount of pain I was in.
Image: A padlocked green gate of an abandoned house.
All the images in this collection are square cropped with a different grunge frame that adds to the tight restrictions I imposed on the series. This reflects the moods I experienced making the series.
Cassi Moghan #3 out of 30 1/1 edition
Three Roads is a journey into my mind as it was unraveling and on the road to recovery. Each one comes with a small part of my story. 30 1/1 editions.
Before Covid and lockdowns, I had a mental health crisis that caused a self-imposed isolation. Anxiety and depression meant that I didn't feel able to be far from my home. I had to force myself to walk around the block with my camera and take pictures. I restricted myself to shooting within a three road radius of my home.
At first, I was just taking pictures of anything but I started noticing details on the streets that struck me as odd or even made me smile. By focusing on these small "insignificant" things, I was able to figure out what was going on in my head. I was unconsciously photographing locks, gates, bars, chains, fences and discarded things. This is how I felt inside.
These photographs set me free.
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#3 Locked
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"No-one knew what was behind the smile"
I reached the point when I didn't think I wanted to go on. I felt like I just couldn't live with the amount of pain I was in.
Image: A padlocked green gate of an abandoned house.
All the images in this collection are square cropped with a different grunge frame that adds to the tight restrictions I imposed on the series. This reflects the moods I experienced making the series.
Cassi Moghan #3 out of 30 1/1 edition
Three Roads is a journey into my mind as it was unraveling and on the road to recovery. Each one comes with a small part of my story. 30 1/1 editions.
Before Covid and lockdowns, I had a mental health crisis that caused a self-imposed isolation. Anxiety and depression meant that I didn't feel able to be far from my home. I had to force myself to walk around the block with my camera and take pictures. I restricted myself to shooting within a three road radius of my home.
At first, I was just taking pictures of anything but I started noticing details on the streets that struck me as odd or even made me smile. By focusing on these small "insignificant" things, I was able to figure out what was going on in my head. I was unconsciously photographing locks, gates, bars, chains, fences and discarded things. This is how I felt inside.
These photographs set me free.