An invitation to look at the totemism of the world in which we live, which constantly aspires us to other marvelous but nevertheless artificial worlds in which we get lost. Consumption is based not only on contemporary issues of human needs but also on the pleasure of consuming.

This constant and endless consumption transcends the consumer into a kind of worshiper and consumption thus slides into the sacred rite.

To feel desire, pleasure in the act of consuming goods, superfluous objects is to approach fetishism and move away from necessity.

The flamingo, perched on its long legs, symbolizes balance, recoil, elevation. With more height, we can see things clearly, and overcome illusions.

The spirit of this animal thus teaches us to be more in tune with our essence in order to perceive the lessons of the soul to feel fulfilled, far from the superfluous, far from the emotional stagnation.

Upon discovering this collage, our gaze is first drawn to the flamingo. It is in the foreground and represents the pretty little embroidered decoration of a boudoir stool, emanating from a beautiful large rose, which itself gives birth to this work.

Softness and comfort are evoked here by colors, shapes and symbols. On both sides, the city is there, reassuring because it surrounds us, and entertaining, sparkling like a pretty garland that shines in the night, festive like a beautiful decorated Christmas ball.

The decor is set, everything is there to make us feel snugly installed, ready to consume the magic of this atmosphere, ready to be transported to another world ... This other world is represented by this sumptuous place, wild as a jungle of ecstasy, bathed by an invigorating waterfall that emerges from a huge fossil.

Higher up, the psychedelic sky and its shiny metallic star evoke the science fiction and baroque universe of comics from the 1960s, in reference to Barbarella, a famous erotic character who, by her charm and sensuality, seduces all those she sees. crosses, from planet to planet.

A parable of consumerism, Barbarella's travels are not about a heroic and moral quest, but above all a search for her own pleasure.