In human history, people have constructed the wrong culture in the wrong way and repeatedly followed the old road. People have accumulated experience and hollowed out their spirit with names such as "samadhi". Under the increasingly serious influence of the problem society, people's inner fear and everyone's pursuit of a sense of security have increased anxiety, pain and daily pressure, For most people, they are imagining their own way of escapism from real life to manage themselves, follow others and pursue nothingness. Due to people's lack of exploration of the unknown world, everyone enters the known through the known, and knowledge enters knowledge, so they can't feel the beauty and ugliness of new things, religion The obstacles created by the illusion brought by faith make people have an increasingly fierce pursuit of a sense of security. The so-called matter in the original text of Shi Ruifeng's works is to return to itself for consideration. Things are color, color space is nothing, things do something and don't do something, so it is spirit. All known things are not true, and the unknown is the real answer to life. This is the core value of Shi Ruifeng's series of creative activities of empty.人类历史上以错误的方式建构了错误的文化，重复地走老路，人们不断累积着经验，用“三摩地”之类的名相把精神掏空，在问题社会日益严重影响下人的内心深藏着恐惧、人人追求安全感的当下，焦虑、痛苦、日常压力加大，对大部分人而言都是在设想自己一套的逃避现实生活的方式，来经营自己，人云亦云相互追求虚无的东西，由于人们对未知世界缺少探索，人人通过已知进入已知，知识进入知识、进而无法对新事物的美和丑有所感受，宗教、信仰带来的错觉所制造岀来的障碍使人产生对安全感的追求日益激烈。所谓物质在石锐锋作品原文是回到自身去考虑的，物即色、色空即无物、物有所为有所不为，为之则精神，所有已知的都不是真实的，未知才是生命的真正答案。这便是石锐锋对《空》系列创作活动的核心价值。