lock
favorite_border
0
subjectDescriptionexpand_less

The government, media and its agencies declared war on youth culture. As British youth discover themselves on warehouse dance-floors, the nation’s media prepared to destroy the emerging new culture. Event promoters are branded Mr Big’s, so called ravers are considered undesirable and the biggest campaign we’d seen since the miners strike was unleashed on the United Kingdom. Nowhere was this more apparent than national media outlets. Sensensationalised headlines dominated news print media for two years. Headlines engineered to manipulate public opinion by presenting Acid House as a national threat to young people. Wayne Anthony complied three hundred original newspaper headlines published between 1988 and 1990.

Only First Buyers Receive Silkscreen Print | All Buyers: Unlockable Printable...

Silkscreen Print Details

Title: 
Frequency of Sound 1988 | Artist: Wayne Anthony
 | Limited Edition: 88 Prints | Each Piece 
Signed & Numbered: Pencil - Yes
 | Production Method: Silkscreen Printing
 | Size: 63 cm x 63 cm
 | Paper Thickness: 570 gsm
 | Canvas Front: Black | Hacienda Factory Yellow | Canvas Reverse: Hacienda Factory Yellow
 | Frame: All Frames | Float Mount Recommended

vertical_splitAbout Only Love Conquers Hate | Collectionexpand_more
This rare collection symbolises one of the most uplifting periods in British history. Acid House was born in Chicago and raised in Europe. The impact was so great it triggered the biggest subcultural shift since Punk Rock. The Second Summer of Love in 1988 was soundtracked by electronic dance music and the banned drug MDMA. Great Britain and the rest of Europe is transformed overnight. This is the launching point for international rave culture. In 1988 Wayne Anthony co-founded Genesis’88 and staged some of the biggest illegal warehouse parties in British history. He later penned cult status book Class of 88 (Virgin Books 1998, 2018). Wayne is mentioned in over sixty published books and interviewed in dozens of documentaries screened on national and global TV networks. Wayne Anthony’s journey as a creative began in 1988 and culminates with the Only Love Conquers Hate Collection. Three unique NFTs (NonFungible Tokens) document the chronology of Acid House and formation of global rave c
playlist_play
ballotDetailsexpand_more
Contract Address
Token ID
Token Standard
ERC-1155
Blockchain
Ethereum
Metadata
Editable

Assassination of Youth Culture 1988 | Acid House 103

visibility
8 views
lock
Includes unlockable content
Current price
0.8
($3,315.97)
timelinePrice Historyexpand_less
keyboard_arrow_down
local_offerListingsexpand_less
  • Unit Price
    USD Unit Price
    Quantity
    Expiration
    From
tocOffersexpand_less
  • Unit Price
    USD Unit Price
    Quantity
    Floor difference
    Expiration
    From
swap_vertTrading Historyexpand_less
Event
Unit Price
Quantity
From
To
Date
view_moduleMore from this collectionexpand_less

Assassination of Youth Culture 1988 | Acid House 103

lock
favorite_border
0
visibility
8 views
lock
Includes unlockable content
Current price
0.8
($3,315.97)
timelinePrice Historyexpand_more
keyboard_arrow_down
local_offerListingsexpand_less
  • Unit Price
    USD Unit Price
    Quantity
    Expiration
    From
tocOffersexpand_less
  • Unit Price
    USD Unit Price
    Quantity
    Floor difference
    Expiration
    From
subjectDescriptionexpand_less

The government, media and its agencies declared war on youth culture. As British youth discover themselves on warehouse dance-floors, the nation’s media prepared to destroy the emerging new culture. Event promoters are branded Mr Big’s, so called ravers are considered undesirable and the biggest campaign we’d seen since the miners strike was unleashed on the United Kingdom. Nowhere was this more apparent than national media outlets. Sensensationalised headlines dominated news print media for two years. Headlines engineered to manipulate public opinion by presenting Acid House as a national threat to young people. Wayne Anthony complied three hundred original newspaper headlines published between 1988 and 1990.

Only First Buyers Receive Silkscreen Print | All Buyers: Unlockable Printable...

Silkscreen Print Details

Title: 
Frequency of Sound 1988 | Artist: Wayne Anthony
 | Limited Edition: 88 Prints | Each Piece 
Signed & Numbered: Pencil - Yes
 | Production Method: Silkscreen Printing
 | Size: 63 cm x 63 cm
 | Paper Thickness: 570 gsm
 | Canvas Front: Black | Hacienda Factory Yellow | Canvas Reverse: Hacienda Factory Yellow
 | Frame: All Frames | Float Mount Recommended

vertical_splitAbout Only Love Conquers Hate | Collectionexpand_more
This rare collection symbolises one of the most uplifting periods in British history. Acid House was born in Chicago and raised in Europe. The impact was so great it triggered the biggest subcultural shift since Punk Rock. The Second Summer of Love in 1988 was soundtracked by electronic dance music and the banned drug MDMA. Great Britain and the rest of Europe is transformed overnight. This is the launching point for international rave culture. In 1988 Wayne Anthony co-founded Genesis’88 and staged some of the biggest illegal warehouse parties in British history. He later penned cult status book Class of 88 (Virgin Books 1998, 2018). Wayne is mentioned in over sixty published books and interviewed in dozens of documentaries screened on national and global TV networks. Wayne Anthony’s journey as a creative began in 1988 and culminates with the Only Love Conquers Hate Collection. Three unique NFTs (NonFungible Tokens) document the chronology of Acid House and formation of global rave c
playlist_play
ballotDetailsexpand_more
Contract Address
Token ID
Token Standard
ERC-1155
Blockchain
Ethereum
Metadata
Editable
swap_vertTrading Historyexpand_less
Event
Unit Price
Quantity
From
To
Date
view_moduleMore from this collectionexpand_less