@edwinism
Taken in Brooklyn, 2010
Bio: Edwin De La Rosa is arguably one of the most influential BMX riders of his generation. Credited with making street riding look smooth, the 37-year-old from Brooklyn, N.Y. (via Panama) has been honing his skills for well over two decades. -XGames
De La Rosa’s photography captures the raw underbelly and wildboy antics of the BMX / graffiti world, shot coast to coast. Edwin has exhibited in multiple solo and group photography exhibitions, and is a favorite of the NYC Downtown art scene.
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
053b - Edwin De La Rosa - "Bike Surfer" - Edition of 30
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053b - Edwin De La Rosa - "Bike Surfer" - Edition of 30
- Unit PriceUSD Unit PriceQuantityExpirationFrom
- Unit PriceUSD Unit PriceQuantityFloor DifferenceExpirationFrom
@edwinism
Taken in Brooklyn, 2010
Bio: Edwin De La Rosa is arguably one of the most influential BMX riders of his generation. Credited with making street riding look smooth, the 37-year-old from Brooklyn, N.Y. (via Panama) has been honing his skills for well over two decades. -XGames
De La Rosa’s photography captures the raw underbelly and wildboy antics of the BMX / graffiti world, shot coast to coast. Edwin has exhibited in multiple solo and group photography exhibitions, and is a favorite of the NYC Downtown art scene.
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
- Sales
- Transfers